892 Royalty-Free Audio Tracks for "Classical Musicians"

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

MIDI file created with GNU EasyABC of 'Make a Joyful Noise' 1900's by Herbert Hadwen Chandler (1865-1941)

Henryk Wieniawski's Violin Concerto No. 2 in D minor, Op. 22, III. Allegro con fuoco performed by the United States Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting. SSgt Karen Johnson, soloist.

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Mozart - Piano Sonata in B-flat major, III. allegretto grazioso

Piano Sonata nr.15 in D major op.28 "Pastoral" - II. Andante by Karine Gilanyan

Academic festival overture, op. 80 (Akademische Festouvertüre)

Ambroise Thomas's overture to the opera Raymond, ou Le secret de la reine, played by the United States Marine Band for the album Overtures, Volume Two.

Enrico Caruso singing "La donna è mobile", from Giuseppe Verdi's opera Rigoletto.

Isaac Albéniz's Rondeña, from his piano suite Iberia, Book II. Composed 1905-1909, performed by La Pianista in 2014.

Grand March from w:Aida, recorded for the Marine Band album, Retrospective, June 3-7, 2002, Center for the Arts, w:George Mason University, Fairfax, Virginia

Grieg's Suite for Strings, Op. 40, From Holberg’s Time I. Praeludium performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Violin concert in D, Op. 61 — 2nd movement: larghetto. Violinkonzert in D, Op. 61 — 2. Satz: larghetto.

Interpret: Mario Chamlee Titel: Serenade Komponist: Riccardo Eugenio Drigo Erstveröffentlichung: 24. Juli 1924

Grieg's Suite for Strings, Op. 40, From Holberg’s Time V. Rigaudon performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

Grieg's Suite for Strings, Op. 40, From Holberg’s Time IV. Air performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time II. Sarabande performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time III. Gavotte-Musette-Gavotte performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Trois Nouvelles Études, no. 2 (3 Études, No. 2)

Oskar Böhme's Sextet in E-flat minor II. Scherzo, Allegro vivace performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

32 Variations in C minor, WoO 80.

Piotr Ilyich Tchaikovsky's Overture Solennelle, “1812,” Opus 49 performed by "The President's Own" United States Marine Band on May 26, 2019, at the Wolf Trap National Park for the Performing Arts in Vienna, Va. This concert was part of Wolf Trap's "Summer Blast-Off!" Col. Jason K. Fettig conducting.

R. Wagner's Tristan Opening. 7-limit 53EDO Approximation.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Hlavný motív postavy Rusalky v rovnomennej Dvořákovej opere

Piano sonata #32. Main theme (beginning) perfomed by Daniel Veesey croped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Головна партія (початок) Виконує Daniel Veesey

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Piano Sonata no. 15 in D major op.28 "Pastoral" - I. allegro by Karine Gilanyan

Robert Schumann: Kreisleriana, Op. 16, No. 1, "Äußerst bewegt"

Alvorada (Aurora Luminosa: música brasileira no alvorecer do séc.XX)

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Le ballet de la reine (or "La peregrina") from Giuseppe Verdi's 1867 opera Don Carlos on the Grand Scenes (2000), recorded June 5–9, 2000 at Center for the Arts, George Mason University, Fairfax, Virginia.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

ATTENTION !!! file INCOMPLETE, file complete you could find here File:Clementi_Sonata_in_G_Minor_No_3,_Op_50,_Didone_Abbandonata_-_I_Introduzione.ogg Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Theme to Paganini's Caprice No. 24 for violin.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Richard Wagner: Parsifal Act 2 Flower Maiden scene. conductor: Karl Muck, Bayreuth Festival Orchestra

Se m'ami ancor; Ai nostri monti, duo de l'opera Il trovatore, composé par Giuseppe Verdi, interprété par Enrico Caruso (1873–1921) et Ernestine Schumann-Heink (1861–1936) en 1913

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1

Richard Wagner: Parsifal - Prelude Act 1. conductor Karl Muck, Bayreuth Festival Orchestra.

Organum Quid tu vides

Scherzo No. 2 in B-flat minor, Op. 31.

Ave Maria performed by Alessandro Moreschi, the last of castratiAve María cantada por Alessandro Moreschi, el último castratoItaliano: Ave Maria cantata da Alessandro Moreshi, l'ultimo dei castrati